With Anil Biswas, since we went to as far back as 1942, I am reminded of another contemporary of his: Khemchand Prakash.
I started with Salil da and then gave you four more compositions in Raag Khammaj of four more Bengali music directors: RD Burman, SD Burman, Hemant Kumar and Anil Biswas. Mere sapano.n ke aa.Ngan me.n gaataa hai pyaar Mujhako chhune lagi.n usakii parchhaaiyaa.Nĭilake nazdiik bajatii hai.n shahanaaiyaa.N Mujhako karane de, karane de solah shringaar RuuThakar pahale jii bhar sataauu.Ngii mai.n Mujhako karane de, karane de solah shri.ngaar Usake kadamo.n kii aahaT fazaao.n me.n hai Usake daaman kii Kushabuu havaao.n me.n hai Yuu.N ta.Dapake na ta.Dapaa mujhe baalamaa Please enjoy in Raag Khammaj: Dheere dheere machal ai dil-e-beqraar koi aata hai…. Kaifi Azmi‘s lyrics are superb and so is Lata Mangeshkar‘s singing. Tarun Bose, her father, hates her as being the cause of the death of his wife and she grows into a reclusive, introvert person. This child grows up into Sharmila Tagore.
#O SAJANA BARKHA BAHAR AAYI LYRICS MOVIE#
It is from the 1966 movie Anupama and the scene is picturised on the actress Surekha singing it for her husband Tarun Bose. Lets take the composition of the fourth Bengali music director, my favourite, Hemant Kumar. We started with our fifth Raaga: Raag Khammaj yesterday and took up the compositions of three Bengali music directors: Salil Choudhury, RD Burman and his father SD Burman. Ye sacha hai jhuuThii baata nahii.n, tuma bolo ye sacha hai naa Hamane unako bhii chhupa chhupake, aate dekhaa ina galiyo.n me.n Hamako jo taane dete hai.n, hama khoe hai.n ina ra.ngaraliyo.n me.n – 2 Phira kyuu.N sa.nsaara kii baato.n se, bhiiga gaye tere nayanaaĬhho.Do bekaara kii baato.n me.n kahii.n biita naa jaae rainaa TU kauna hai, teraa naama hai kyaa, siitaa bhii yahaa.N badanaama huii Kuchha riita jagata kii aisii hai, hara eka subaha kii shaama huii – 2 Kuchha to loga kahe.nge, logo.n kaa kaama hai kahanaa (kuchh to loga kahe.nge, logo.n kaa kaama hai kahanaaĬhho.Do bekaara kii baato.n me.n kahii.n biita naa jaae rainaa ) – 2 Please enjoy in Raag Khammaj: Kuchh to log kahenge…. Of course the movie itself was made by a famous Bengali: Shakti Samanta and starred the great grand-daughter of Nobel Laureate Rabindra Nath Tagore: Sharmila Tagore. And not just because it is a good example of the Raag but, also, the essence of the movie is in the song.Īnand Bakshi was the lyricist and the song was sung by Kishore Kumar for Rajesh Khanna. Music Director Rahul Dev BurmanĪll three are beautiful compositions in Raag Khammaj.
He used the same Raag twice in 1971 movie Amar Prem in the songs: Bada natkhat hai ye Krishan Kanhaiyya, and Kuchh to log kahenge. Rahul Dev Burman used the Raag for composing Aayo kahan se ghanshayaam in Buddha Mil Gaya. Salil da was not the only Bengali composer fond of Raag Khammaj. Song #2 Kuchh to log kahenge, logon ka kaam hai kehna… Saa.nvalii salonii ghaTaa, jaba jaba chhaaI – 2Ī.Nkhiyo.n me.n rainaa gaI, nindiyaa na aaI (aisI rimajhima me.n o saajan, pyaase pyaase mere nayana MiiThii miiThii aganii me.n, jale moraa jiyaraa Tumako pukaare mere mana kaa papiharaa – 2 Rasa kii phuhaara laaI, a.Nkhiyo.n me pyaar laaI ) – 2 Please enjoy in Raag Khammaj: O sajana, barkha bahaar aayi…. The song is from the 1960 movie Parakh and is picturised on Sadhana. She is said to have chosen this song when asked what is the one song she will take with her to a desert island! The original version done in Bengali called Na Jeona was also sung by Lata Mangeshkar. This song is supposed to have been set to the swishing of the wipers of an Ambassador car when the composer Salil Chowdhury was caught in a torrential downpour. The romantic nature of the raaga is brought out by this delightful composition of Salil Chowdhury O Sajna Barkha Bahar Aayi (the cover picture song).
The beauty of Khamaj lies in the expression of love with the softest touch of heart. Khamaj is meant to be a complete surrender to the ultimate through the beauty of its melody. Devotion, beauty and the opulence of love are the basis of Raga Khamaj. It has been a popular choice for film music as well. Raag Khamaj is a late evening raaga and is brought out rather elegantly in the light classical form of thumri. It is also a specific raaga within the Khamaj thaat. Khamaj is one of the ten Thaats (parent scales) of Hindustani music.
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